“Any regular, repetitive action primes the well. Writers have heard many woeful tales of the Bronte sisters and poor Jane Austen, forced to hide their stories under their needle-work. A little experiment with some mending can cast a whole new light on these activities. Needlework, by definition regular and repetitive, both soothes and stimulates the artist within. Whole plots can be stitched up while we sew. As artists, we can very literally reap what we sew.” Julia Cameron, The Artist’s Way
For Week 4, we worked on the fly stitch. I loved this stitch. It was fun, satisfying, took a little bit to get the hang of, and then lent itself generously to experimentation and shaping. I thought I’d have time to make two squares, but alas, one was all I could complete. I’m working on not urgently finishing something that is supposed to be a practice in steady and slow. Urgency and too-busy are not qualities in life I value any longer. I think they are over-rated tendencies that make people sick. They distract focus from what is right in front of us. There are only so many hours in a day and I’m coming to accept ever more that really, there is a finite amount of time in which I will exist. All of the many things I want to do, wish I had of done, hope to do in the future have to be reconciled with the reality of what is.
I kind of meant to do a square of fly stitch in rows, but then I decided that actually, the stitches were reminding me of wheatgrass and of weeping willow branches without their leaves. I decided to allow myself to make what I saw in my mind’s eye. It was a lovely experience.
So, we are moving along in our Slow-Stitch. I am going to add two stitches to our queue and give myself two weeks to play around with them. Halloween and my son’s birthday make this upcoming week more exciting and full than usual, so I plan on steadily and quietly moving through stitches as I can.
It’s not too late to join if you’d like!
Here are the two new stitches: sorbello and seed. Practice using small squares of fabric, maybe one on its own and one in layers. Use thread that calls to you and let yourself enjoy the process without the sense of rushing or pressure urging your hands.
If you’re wondering what this is all about, here’s the introduction to this Stitch Along, that was entirely inspired by the book Slow Stitch: Mindful and contemplative textile art, by Claire Wellesley-Smith.