Healing Handcrafting


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Summoning Creativity #3 ~ Engage Every Day

I’m writing to you from my porch. It’s just a few days before August 1st. I’ve been thinking about the next Summoning Creativity post for a while now. As I listen to the myriad birds engaged in their morning meetings and wonder at the frogs knocking to one another from here to there*, I can’t help but come back to the bewilderment I feel at being on Earth, doing this thing called life. Being alive. Being here as part of, and witness to, all of it. All of what is happening, all of what has been, all of what will come… here we are. Part of the story.

August in Vermont has a certain texture and moodiness to it. The sun’s height in the sky has gone through some noticeable shifts and, even with the hot days of late, there have already been moments that feel and smell like early fall. The rhythms we live in are obvious.  Yet, they can pass by with little notice if attention is not paid to the shifts.

Lest this seem like a naval-examining treatise on the passing of time, let me get to it and make the link between being human in nature and creativity.

The Link

When We Notice, We Are Engaged

When We Are Engaged, We Can Create

The Prompt for August

Engage Every Day

Yes. Every day.

Don’t go yet! This isn’t bootcamp or a fad diet. It’s an invitation to harness the energy of August and give yourself the gift of engagement with your life, your surroundings, and your beautiful creativity that is boundless and waiting for attention. Here’s what I have in mind.

~ Every single day, take a moment to be fully present in your body and mind. Let your senses guide you. Do you hear something that has you wondering? Do you see something that catches your attention? Feel a sensation on your skin? Taste something that has your tongue tingling? Smell something that makes you tilt your head?

~ Let your attention rest on something that is: neutral, pleasant, interesting, or beautiful. Yes, I’m being directive about that. ** Like students in school, we learn best when we feel and are safe. Let us give our nervous systems the gift of a moment of, at minimum, calm neutrality.

~ Observe what you have chosen to rest your attention on. At least for five minutes, study what has gotten your attention.

~ Then, following this engagement, document it. You can do this in several ways. On days that are busy and there’s just no time that feels available for more, simply write what you saw.

It can be as short and sweet as: “By my front step, I saw a web that formed a circle on the grass. It looked like a tissue from a distance. But up close, it was webby and dewy.”

Or, you can take a picture of it and print it out, if possible.

Or, you draw it, paint it, sketch it.

Or, you can research it. Using this example, I might wonder, “what makes those webs?” and then study that creature.

Or, you can make something inspired by what you’ve seen.

~ And… repeat. Every day for one month.

Why every day?!

Because when we do something every day, over time, we change our habits. And yes, it is a habit to plow through a day without noticing anything. And, it’s a habit to live every day and notice many things.

It’s a practice to let those things you observe work on you and interact with the part of you that is curious, has wonder, and wants to play.

Things that might be useful to have around:

  • An unlined notebook where you can keep sketches/drawings/writings/clippings….
  • A camera. Many folks have smartphones that have one million photos on them that they forget about. I recommend for this endeavor to print out pictures and put them in your book. If you have a printer that can do this, great. I don’t have reliable printer and ink costs a forture, so I often will order prints through the Walgreens app because I can order the prints I want and pick them up quickly. If you are only ordering one print here and there, it’s remains inexpensive. Many pharmacies and grocers have photo printing these days, and there’s no minimum number of prints necessary. My daughter also has this little polaroid camera that is pretty fun. I haven’t used it for things like this, but I think it would work great!
  • Colored pencils or pens
  • Charcoal drawing pencils
  • Portable paints
  • If you have a specific medium you like to work with, have that around and easily accessible in case you have more dedicated time to play and create.

Things to consider that might help support this practice:

  • Setting an alarm each day (with a pleasant sound, please! – no startle responses necessary for this effort!) to remind you to take a moment to engage.
  • Keeping your art book around so you are visually reminded to engage.
  • Inviting people you live with or talk to regularly to do this, too! Sometimes it’s fun to have a partner in daily efforts.

Beware of the following:

  • If you forget a day or days, don’t throw in the towel! Just get back to it. My relationship with my journal changed drastically when I decided not to make it a shame and self-hate punisher if I miss a few days or months. Shit happens, man. It’s no big thing.
  • Judgement of what you are focusing on or on what you do with it. Reminder: this is not a project to get anything specific done. It’s an invitation to engage with what resonates with you while taking it a step further and interacting with what you noticed.

What do you think? Are you game? I am! I vibe deeply with getting practical and organized in my efforts. I also don’t want to miss any of August, no matter where I am or what I’m doing. If any part of this feels too rigid for you and your nature, adjust as needed and make it work for you. Most important is to commit.

As always, I love to hear from you whether through the comments or directly, so please let me know if you take this on! I plan on sharing my thoughts about the whole thing as we make our way through the month. We’ll see what engaging every day inspires!

Until next time,

Bradie

ps- this post came a little early so you can start on August 1 if you’re so inspired!

* I think I’m hearing mink frogs but it seems like where I am is not considered part of their Vermont territory. Not sure, but a deeper dive into frog lore is in my future.

** To be clear, I am not saying the requirement is to ignore all that is happening in the world and to just “be positive, man”. What I am saying is that we need to give our nervous systems a chance to balance out, reboot, and access a sense of safety if we are actually living in a safe circumstance. With the issues we are facing, we need to do what we can to nurture ourselves so we can stay strong and grounded. 

Frogs Landscape (1575u20131580) painting high by National Gallery of Art is licensed under CC-CC0 1.0


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Summoning Creativity #2~ Follow Threads

Recently I was talking to someone in my studio about a theme he noticed in my work~ I had an image expressed several ways and he wondered at the significance of the image to me. This got me thinking about how this happens in my work sometimes and the best way I can put it is, I let my psyche guide me in what images, symbols or themes I want to follow, and then… I do.

For example, several years ago, I was looking at a picture in a book I have of an image of an elderly woman sitting on a granite sort of bench that was really maybe a retaining wall for a city garden bed, her hands resting on her pocketbook. I loved her face and found myself looking at her and going back to look at her some more. I had all kinds of feelings when I took in her details and conjured stories that might explain her look of sadness.

Then, I decided to try to draw her. (I know I didn’t get her image exactly as she looked in the picture. For one, I don’t know how to draw, but the point of all of what I’m saying here has nothing to do with perfection, and only to do with engaging.)

Then I found myself looking at the face of the woman I drew. And I kept going back and looking at her some more and I remember thinking, who are you?

A year or two after drawing her, I took a tapestry weaving class with Rebecca Mezoff, which I highly recommend. We were tasked with designing a cartoon for a weaving project, and I chose my lady. I knew I wanted to learn how to weave faces, and I wanted to spend more time with her. So, I dove into that and made the cartoon, and then I started weaving her…

And I wove her…

And kept weaving her…

And then I was like, “no really, who ARE you?!” She became ever more important to me. I started to see in her face regret, which is another theme I’ve been following, studying, and writing about for many years. That was interesting. This thread I was following was actually one I’d been engaged with in a more intellectual way for a long time. The theme suddenly dove into new, creative terrain.

Then, I was done with the weaving, but I wasn’t done with the image, so I did a block print of her.

And then, I was done.

So you see… there was an initial spark, and then an idea and another idea and another idea… I couldn’t have planned this all. I just followed the image and let it keep working on me over the course of a few years. There need not be any rush or pressure. There’s no time limit. There’s only an invitation.

Following threads of themes, symbols and images is a really fun and meaningful way to get into something and experiment with different mediums. Fun because you’re literally playing with an idea and letting it work on you. Meaningful because the threads come from your own psyche. No one is assigning them to you.

So, how does one do this?

Start with these questions:
~ What’s on your mind these days?
~ What are you drawn to? Is it a song? A color? A taste? A smell? An image?
~ This thing you are drawn to, how might you engage with it creatively? Can you draw it? Cook it? Paint it? Weave it? Sculpt it?
~ Can you start there? And see where it leads?
~ Can you write about it? What draws you to it or captures your attention?

For example… maybe the color green is really grabbing you or you know it’s your favorite color. You can:

  • take out some water colors play with greens; you can blend, use solid colors, or make them so subtle you can barely see them, or pair the greens with complementary colors…
  • you can take pictures of all the greens you see in your immediate landscape or your home
  • you can wear green
  • you can knit/crochet/weave a green-inspired project
  • you can read about the color green and see what themes/symbols/stories/myths are associated with it
  • you can follow an idea because what might happen is, with all of this attention to green, an image of a way to work with it will occur to you- listen to that and follow it.
  • the more you do this, the more you’ll do it – wow, that was deep.

I love seeing how people do this~ please write and share if you are so inclined! And, if you want to keep up on this monthly Creativity Summoning, sign up to receive updates to the site! We’ll keep it going as long as I have something say.

Until next time,

bradie


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Monday’s Musings ~ Random Bits of My Life

Thought I’d share a compilation of things I’ve been thinking about and doing this last week. Some make me smile. Some make me think. Some make me cry. Some make me feel gratitude. Some a mixture of all of those things.

  • I got to participate in this art show along with fellow fiber artists, potters, painters, and woodturners. What a wonderful thing! There is something uniquely powerful about putting your work out there for others to see. The camaraderie I feel with my fellow makers who are in this show is really nice. Makes me proud.

  • I had to cancel, very last minute, a Community Weave event at my studio because I got wrecked by an allergic response, either to an antibiotic or a new-to-me face/body cream. It looked like I got punched in the eye, and I had welts all over my body about 48 hours ago. Not cool. Much better now.

  • I finished a prototype for a larger series I am getting working on… it’s hard to see in this picture, but it’s a woven tube made of linen, adorned with flax, wool, jute, with a beautiful antler hanging in the middle… better images to come…

  • Wrapped up a fabulous class at the Shelburne Craft School- this was explosively fun and very co-creative and inspiring! Weaving with minimal rules, natural materials, and instinct frees up a whole lot of space in my psyche. Sharing that with others was a true joy.
  • Read through journals I’ve been keeping since high school, looking for lyrics I wrote for a song I love playing… man, that’s a trip. Never found the lyrics to that song. Did find lyrics to another song I wrote but didn’t put down the chords… what the shit? So, reworking that one. But, I did find this… a realization that I’ve been hard at work being-a-person for a long time… thinking, creating, examining, striving, loving, fearing… I often think of my younger self as kind of a hot-mess, and don’t get me wrong, I had my drawn-out hot-mess moments for sure (still do!), but I think I’ve been unkind to the younger me that was just learning how to grow up in the midst of living. Those days are over. I suddenly see myself very differently, not as pre- or post- hot-mess, but rather as a long story. Just like anyone. This shift has been medicine.
  • Spent a lot of time with my dog who seems to know I’ve not been feeling well.

  • Learned that there are so many plants in my yard that are medicinal and I am now going down a rabbit hole of studying them… reading about “weeds” that heal ailments has me reconsidering what a weed actually is.

And, I think that’s it for now. There’s so much going on, so much to respond to, metabolize, and critically think through. An endless well of compassion, empathy, fortitude, and courage is needed. And honesty. And self-reflection. Most everything I’m making these days has something to do with living and dying and the cycle of these opposites that shape our existence and our choices.

Until next time,

bradie


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Co-creating after death

My mom was a very talented artist. She had an eye for alluring shapes, luscious textures, intricate details that could easily be missed if one didn’t stop to look closely at whatever-it-was. In Florida, we lived on a bayou and the whole back of the tiny house on stilts opened to a view of it, tree and mangrove lined. The bird life there was epic. Alligators glided through the water, occasionally lumbering up the bank into our yard. Oh, do I have some stories about them.

Much of what my mom made included materials found in our yard or on the island. She had this uncanny ability to use the natural contours of something to house or nestle around little sculptures she’d make, usually faces. Once, when I went home for a visit after I’d moved to Vermont, one of the walls in the open space in the middle of our house was adorned with her pieces of art. I was breath-taken. They were exquisite. I went directly into agent-mode, wanting her to get her work into local galleries. I wanted everyone to see what I saw.

After my mom died, eight years ago now, many of the materials she used in her art ended up with me. One piece in particular has hung on the wall in my studio for a long time. It is a material that comes from palm trees and is like netting or burlap. It’s the most amazing material, woven by nature, strong, pliable, beautiful. I’ve wanted to make something with it for years but nothing was coming to me so I let it simply be itself.

Last week, I was in the midst of repurposing a piece I’d made about a year ago for an art exhibit. It was fabric of very fine grey linen, knitted loosely. I wanted it to be something else and was letting myself play. After treating it with a stiffening agent so it didn’t unravel in my hands, I moved it around and “asked” what it wanted to be and netting came to mind. As I sat at my table strewn with materials, I thought about my mom. Then, I invited her to play. What does that mean? I welcomed her to participate in what I was doing. I talked to her in my mind and imagined how she might have approached what I was doing. Then, I remembered the palm netting. It was at that moment when I felt, “oh cool, we’re making something together”. And then I got to it.

When people ask me how I use fiber art or handcrafting to process grief or life events, I know I answer the question, and I have a lot of things to show for my efforts. But in the moments I’m describing here, I got to observe myself while in the process of doing it, and I wanted to share some things that came clear to me. I believe anyone can do this, with whatever materials they have on hand, whether they or their loved ones were/are artistically inclined or not. And by the way, I truly believe all humans are creative beings. Creativity is not just for some people. It is an energy and a gift available to all of us because it resides in us.

Why am I sharing a personal moment like this in such a public way? Because I think about grief and love all the time, and help people process their own when I can. And I can tell you with absolute confidence, creating while in the mindset of connecting with a loved one* or processing grief does something. Many things. Here’s some details:

~ It creates a space in which you can think about and talk to your loved one.
~ It can be playful, which benefits our mental and physical health tremendously. You can read about that here.
~ It fosters the bond between you and the one you are grieving – read about continuing bonds as described by Dennis Klass here.
~ It’s a worthwhile effort, even when the relationship was painful or your grief is complex.
~ You make something meaningful to you. There’s no getting it right or wrong.
~ New thoughts, emotions, and understandings have a way of coming forth when you allow the time and space for them to emerge. When this happens in a creative zone that utilizes some form of action (art making, cooking, gardening, singing/playing music, writing), these shifts are metabolized through the body. All the thoughts and emotions are no longer only housed in the mind, but flow through the body, which can lead to greater peace.
~ You might be able to repurpose things that would otherwise be stuck in a drawer or thrown away.
~ You hang out with yourself, which is something I highly recommend. You are worth your own attention.

unfinished co-created piece by my mom and me

This new co-created piece between me and my mom is not finished yet. It’s hanging in my studio in a spot that is important to me and commands my attention. I find myself looking at it and feeling all of the textures and imagining what it will be when it is finished. There’s no rush to get it done and I suppose this is a chance for me to just be in my thoughts with and about my mom. It’s an ongoing invitation…

Until next time… ~ bradie

* I often use the term “loved one” to refer to the person we are grieving. This is not to imply that all has to wonderful and conflict-free in terms of the relationship one had with the deceased person. I should figure out a new way to refer to the person who has died that allows for imagining processing all loss creatively, not just the loss of someone we had a generally good relationship with. It is possible to do this, and is very valuable. Even if grief is complicated, there are ways to work it out through creative expression.


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Summoning Creativity #1

One of the things I love about teaching is that it keeps my mind fully engaged with what I’m talking about and trying to share with other people. Something that comes up often in classes is how connected or disconnected people feel from their own creativity. On occasion, people have asked if I could offer prompts to help keep momentum going and I do it for a while, but then forget over time (same thing with working out! there must be something to unpack there). This is my attempt to not let such a request fall by the wayside.

Here’s how it will work (this is my fantasy as of now- keep me honest if slack!):

  • On the first of each month, I’ll offer some thought, idea, inspiration that is centered on summoning energy from the bottomless creative well we all have within us. I’m thinking monthly because honestly, we need time to let ideas steep and take hold, let alone play with the ideas in an effort of making/creating.
  • Some months will have insights from others who tend to their creative landscape, some will be my own thoughts, some will address those pesky things that can get in the way of efforts such as these.
  • These will never be over-complicated or expensive suggestions.
  • I’ll continue this for as long as there is something useful to say.
  • Welcomed: if you have things you do that keep your creative life energized and flowing, and you’d like to participate in the conversation, please write, comment, share! I love co-creating efforts to lift the veil off our own artistry.
  • Suggestion & Request: if you are into this idea and want to make sure not to miss one, follow this here blog! My goal is to get out a new summoning each month. And, share this with others who you think might be interested! (at the bottom of each page on this site there is a place to subscribe).

Summoning Creativity #1

These are two suggestions I’ve used in my classes and I wanted to share them here. Hope you enjoy them!

1. Make a List– make a list of 25 things that you love. Leave the list in a place where you will continue to see it and let it work on you. Are there things on your list that nudge you a little? Or pull you a little bit? Just notice what happens as you spend time with your list, imagining these loved things. Don’t overcomplicate this. It could be a color. A smell. A temperature or moisture level of the air… just tune in. Then, move towards…

2. Nurture Your Inner Judge~ aka the fear-monger– most of us have a “voice” that pops up and tells us things when we are in new territory, especially when we feel vulnerable, exposed, frustrated… I read something a while ago that really resonated with me, and it was this: our inner critic is trying to protect us from harm. When it senses we are stepping out of our comfort zone, it tries to reel us back in because it doesn’t want us to experience something that is painful, scary, or embarrassing. Chances are, this fear-monger showed up for us when we were little, and it had an important job to do. The thing about this judgy fear-monger is, it doesn’t know when to stop. And I wonder if it doesn’t know what to do with itself when it sees us taking steps into new terrain. It reminds me of how I’ve felt when my kids tried new things like skateboarding, snowboarding, etc. Inside I wished they’d just stay safe and not put themselves in harm’s way. Every part of me wanted to keep yelling, “Be careful! Slow down! STOP!!!” So I had to work on dealing with my own fear while helping them know how to responsibly do the things they want to do. This is how I think about my own inner judge. 

Now, when I hear my inner judge piping-up, I address it directly. I let it know, “we are safe and I’m just playing. Nothing bad will happen, even if what I’m making doesn’t turn out how I want it to.” I let it know that it can join me in the play and sometimes, if I remember, I thank it for trying to protect me, but that it doesn’t need to at the moment. It also doesn’t need to be banished. It can be reshaped into something more gentle. That’s when I find myself thinking about vulnerability and creativity, and where they intersect. 

For this prompt, I just ask for you to notice your fear-monger. What does it say? How have you dealt with it so far? Can you invite it to relax and look around, and see that it’s safe to explore and play?

Until next time… bradie


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Playing with Woven Material and Flowers

I’ve been busy in my studio seeing through ideas that are a continuation of themes I’ve been hanging with for a while now. I just can’t seem to get enough of loosely woven wooly fabric. I love weaving it. I love playing with it. I love how it is the perfect backdrop for a stem, a stick, a branch…

There is an Open Studio event where my space is tomorrow and I am looking forward to it. There have been a lot of projects in the flow, some of which are completed, one big one that is almost done that I’ll write about separately, and two that have finally gotten dislodged from my mind and set to looms. What a relief!

I think that’s one of the best parts of making… having an idea and finally getting it into action. Why does it take so long sometimes?


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Sweeping Away and The Wild Bits

little bits of everything
here and there
this and that
brooms sweeping away what is not ours
inviting a hold on what is
thresholds beckoning
then not letting go
interlacements revealing
the over-under dance



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Playing with my Ancestors

In my space
circling around materials and ideas
I found my great-grandparents
Not all but some,
And then it started.
Do you like this color?
Did you have this flower in your garden
That was in the back of your little house
Where you made my brother and me
The most delicious hamburgers
In a frying pan, with butter and salt?
I remember you and your dear love.
Mom told me you held hands when you slept at night.
And you, great-grandmother I never met,
Whose teacups I have but am not graceful enough to use.
Maybe you know I’d slug the coffee that could fit in that dainty piece of porcelain in one gulp,
Apologies.
I feel loved by you and can feel you through the veil.
I’m glad we got to play.


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The Creative Process~ Article Published!

I’m delighted to share that an article I was invited to work on with the director of the Shelburne Craft School, Heather Moore, has been published in the IMAG #18 periodical from InSEA publications. It’s called, “Who Cares How it Comes Out? Pinhole Camera as Teacher and Muse”. You can find it here! It was a marvelous process, working on such an important-to-me project. The more I think about creativity, the more I think it is an essential and critical part of being human and that it ought never be treated as an afterthought. We’ve, as a species, been articulating our ideas and inspirations for millennia. To be able to think and write about how the creative process fosters community, empathy, enthusiasm, and engagement was a real pleasure. I hope you like it!


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Monday’s Musings~ Creativity and Defining Self

I spend a lot of time thinking about how we become more of ourselves in the way that Murray Bowen defined as differentiation. Simply put, differentiation is about how well we can hold on to our own thinking, even in the face of group pressure, others’ reactivity, and our own anxiety that arises in relation to these things. The better we are at regulating ourselves, the more flexible we are, and capable of maintaining equilibrium in a variety of circumstances. Conversely, the more anxious we are or become as a result of some emotional group process unfolding, the more we make decisions from a highly emotional place. Or, we find ourselves fully swimming in the waters of emotional process, and our decisions cannot be distinguished from those of the group.

Efforts to define self at any given time are the building blocks that help us develop a more differentiated stance in the world (and therefore less fused with the intensity of whatever system we are within). Checking in on, and keeping track of, what we think on any given topic is one way of doing this. For example, as I raise my kids, who are both teenagers now, I can defer to others and find out what they say is the right way to raise a kid and follow their prescription for how to do it, or I can think something like, “what is important to me as I parent my children through their teens, and how do I view my role in their journey towards adulthood?” And I think on it. And I answer the questions. Some of my answers might be informed by information I garner from people whose opinions I value. But first, they are run through the filter of my intellect. What do I think about what they think?

I’d love to say that I am able to do this all the time, but news flash: I’m a reactive person who’s been working on myself for years, and my success rate of defining my own thinking to myself before reacting to something is… well… it depends on the circumstances!

Anyway, this is where the bridge to my thinking on creativity appears on the map of my journey in this life. I think that by tending to our own creativity, we are greasing the gears of differentiation.

Here’s why:

Creativity involves having the spark of an idea. Anything new, innovative, functional, delicious, beautifully made or arranged, etc., happened because someone, somewhere, had an idea. And it didn’t end there. The idea became an action. “What if I do this?” became… “Check this out!” Suddenly, we had sculpted pots to hold things, woven or sewn materials to warm, adorn, protect, sail, contain, and tools to carve, cut, and shape… that spark of an idea is the seed of all that we have, for better or worse.

I see micro-expressions of this very thing in my own creative practice and in the conversations I have with other makers. As a weaver, I must make so many little choices, so many nuanced moves, adjustments, decisions. Each one is an articulation of an idea, an opinion, a preference. And while I learn from incredible teachers, like Rebecca Mezoff and Elizabeth Buckley, I also have to assimilate their teachings into my own mind and decision-making process. I think that when we have these opportunities in our lives to articulate choice and preference, we have ever more chance to articulate ourselves back to ourselves and to others! It’s amazing.

Why is this important? Because we all need to be doing our best thinking. Really, we should be trying to do this all the time, but especially if we are living in places that are in turmoil. The likelihood of losing track of our own critical thinking and judgment in the face of high intensity societal emotional process is increased. The more we are aware of this, the more we can keep our hands on the steering wheel of our own decisions, lives, and futures.

The more we know our own minds and tend to the sparks of our ideas, the more engaged we will be as a whole self.

And, the more of a whole self we are, the more choice we will have.

Bowen Theory Information:

https://www.thebowencenter.org/societal-emotional-process

https://www.vermontcenterforfamilystudies.org