Healing Handcrafting


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Monday’s Musings ~ Random Bits of My Life

Thought I’d share a compilation of things I’ve been thinking about and doing this last week. Some make me smile. Some make me think. Some make me cry. Some make me feel gratitude. Some a mixture of all of those things.

  • I got to participate in this art show along with fellow fiber artists, potters, painters, and woodturners. What a wonderful thing! There is something uniquely powerful about putting your work out there for others to see. The camaraderie I feel with my fellow makers who are in this show is really nice. Makes me proud.

  • I had to cancel, very last minute, a Community Weave event at my studio because I got wrecked by an allergic response, either to an antibiotic or a new-to-me face/body cream. It looked like I got punched in the eye, and I had welts all over my body about 48 hours ago. Not cool. Much better now.

  • I finished a prototype for a larger series I am getting working on… it’s hard to see in this picture, but it’s a woven tube made of linen, adorned with flax, wool, jute, with a beautiful antler hanging in the middle… better images to come…

  • Wrapped up a fabulous class at the Shelburne Craft School- this was explosively fun and very co-creative and inspiring! Weaving with minimal rules, natural materials, and instinct frees up a whole lot of space in my psyche. Sharing that with others was a true joy.
  • Read through journals I’ve been keeping since high school, looking for lyrics I wrote for a song I love playing… man, that’s a trip. Never found the lyrics to that song. Did find lyrics to another song I wrote but didn’t put down the chords… what the shit? So, reworking that one. But, I did find this… a realization that I’ve been hard at work being-a-person for a long time… thinking, creating, examining, striving, loving, fearing… I often think of my younger self as kind of a hot-mess, and don’t get me wrong, I had my drawn-out hot-mess moments for sure (still do!), but I think I’ve been unkind to the younger me that was just learning how to grow up in the midst of living. Those days are over. I suddenly see myself very differently, not as pre- or post- hot-mess, but rather as a long story. Just like anyone. This shift has been medicine.
  • Spent a lot of time with my dog who seems to know I’ve not been feeling well.

  • Learned that there are so many plants in my yard that are medicinal and I am now going down a rabbit hole of studying them… reading about “weeds” that heal ailments has me reconsidering what a weed actually is.

And, I think that’s it for now. There’s so much going on, so much to respond to, metabolize, and critically think through. An endless well of compassion, empathy, fortitude, and courage is needed. And honesty. And self-reflection. Most everything I’m making these days has something to do with living and dying and the cycle of these opposites that shape our existence and our choices.

Until next time,

bradie


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Circular Weaving Adornments

Circular weaving is a wonderful way to play with yarn, experiment, and make beautiful things, with or without a plan. I recently warped my Majacraft circular loom; it is no longer made but sometimes you can find them for sale through other vendors. If you can get your hands on one, don’t hesitate- these looms are by far my favorite circular looms to date. I set it up in a way that keeps the center open/unwoven. When you weave this way, you can make home decor and sculpture, as well as shawls and necklaces, depending on how big the space is in the middle and how big your loom is.

I’ve wanted to weave a necklace for a long time and I finally decided to play and make one that is dedicated to Thalassa, primordial goddess of the ocean, who I’ve become very attached to. This first piece is woven with linen, very thin and strong, like netting and sea grass. I included sea shells from Sanibel Island, a place where I used to live that takes up a lot of space in my psyche. The necklace rests gently on my shoulders and the shells move but don’t clank or tangle. It lays in such a way that I want to stand straight and move with intention when I’m wearing it.

I knew ahead of time how the shells would be attached to the weaving, but the weaving itself came organically and peacefully. I wanted it open, airy, loose. The sea interacts with air and netting with water and its inhabitants.

I am delighted with this first outcome! And you know… I’ve got another project ready to go! This one will be woven down to the end of the warp and will have a totally different vibe… stay tuned!

Thalassa, daughter of Aether and Hemera,
mother of Aigaion, the Telkhines, Halia, Aprhodite, and the fishes.
Thalassa is the sea.



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Things that made me smile today…

I wish I had pictures of all of these things but I was driving when I saw some of them, or it just would have been weird to bust out my camera…

  • handmade signs asking drivers to slow down because of geese in the road
  • the kind and lovely person who helped me understand my new progressive lenses
  • asking this wonderful man what he’s up to and him saying something like, “6’3, no good, and logging”
  • a joke that flowed off a dear person’s tongue as seamlessly as water over a smooth rock
  • signs indicating that in a family barn, you’d find coffee, snacks, art, and vintage stuff… I love Vermont so much
  • the Green Mountains
  • hearing how excited someone I was talking to is about an upcoming trip she’s going on with her family
  • listening to the birds around my studio- I think a couple of pigeons were yelling at each other
  • thinking about this fantastic play I saw last night that my friend is in
  • seeing signs all over the place that suggest that love, compassion, and a welcoming attitude are preferred by many
  • my cat resting in the garden
  • the smell of peonies
  • an about-to-bloom poppy
  • the sounds and sights of bees doing their thing
  • the smell of catmint

we need to notice the things that make us smile,
call to our hearts,
help us feel connected to other people, even if we don’t know them,
and to ourselves, even when we’re tired, sad, scared, or sick

Until next time,

bradie


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Amazing Book: Border & Rule: Global Migration, Capitalism, and the Rise of Racist Nationalism, by Harsha Walia

Just doing a little light reading because, you know…

Pretty much every sentence in Walia’s book is a powerhouse meal of critical information. I highly recommend it if you’re someone who is trying to find your way through this time in our shared history.

From Border and Rule,

“We are told that immigration policy is about law and order, not racial exclusion in an allegedly post-racial society. But there is no objective fact of migrant illegality; as Catherine Dauvergne maintains, ‘Illegal migration is a product of migration law. Without legal prohibition, there is no illegality.’ While borders are hierarchically organized and permeable for white expats, a handpicked immigrant diaspora, and the rich investor class, they form a fortress against the millions in the “deportspora” who are shut out, immobilized, and expelled. The global turn toward deportation and detention as the central means of immigration enforcement is attendant to the rise of neoliberalism.”

That’s just in the Introduction…

What will our leaders do? What will we do?

“All men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil. The only crime is pride.” ~ Sophocles, Antigone


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Monday’s Musings~ new work in the queue

Biologic Windæge

Each pane in this piece is a window into a space containing an idea, a feeling, a symbol, a material. Everything is biologic. In some cases, the material is of plants, in others of animals. In one case, the material is a secretion of the silk worm. Everything will one day biodegrade. Fleeting and beautiful. Strong to a point.

I’m waiting for the right materials to emerge for the last three panes, which will serve as the end of the story…

Until then, a preview…

What do you see? Maybe not the same as me, and that’s okay. It’s how it should be.

Hope you are doing alright, wherever you are. ~ bradie


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Co-creating after death

My mom was a very talented artist. She had an eye for alluring shapes, luscious textures, intricate details that could easily be missed if one didn’t stop to look closely at whatever-it-was. In Florida, we lived on a bayou and the whole back of the tiny house on stilts opened to a view of it, tree and mangrove lined. The bird life there was epic. Alligators glided through the water, occasionally lumbering up the bank into our yard. Oh, do I have some stories about them.

Much of what my mom made included materials found in our yard or on the island. She had this uncanny ability to use the natural contours of something to house or nestle around little sculptures she’d make, usually faces. Once, when I went home for a visit after I’d moved to Vermont, one of the walls in the open space in the middle of our house was adorned with her pieces of art. I was breath-taken. They were exquisite. I went directly into agent-mode, wanting her to get her work into local galleries. I wanted everyone to see what I saw.

After my mom died, eight years ago now, many of the materials she used in her art ended up with me. One piece in particular has hung on the wall in my studio for a long time. It is a material that comes from palm trees and is like netting or burlap. It’s the most amazing material, woven by nature, strong, pliable, beautiful. I’ve wanted to make something with it for years but nothing was coming to me so I let it simply be itself.

Last week, I was in the midst of repurposing a piece I’d made about a year ago for an art exhibit. It was fabric of very fine grey linen, knitted loosely. I wanted it to be something else and was letting myself play. After treating it with a stiffening agent so it didn’t unravel in my hands, I moved it around and “asked” what it wanted to be and netting came to mind. As I sat at my table strewn with materials, I thought about my mom. Then, I invited her to play. What does that mean? I welcomed her to participate in what I was doing. I talked to her in my mind and imagined how she might have approached what I was doing. Then, I remembered the palm netting. It was at that moment when I felt, “oh cool, we’re making something together”. And then I got to it.

When people ask me how I use fiber art or handcrafting to process grief or life events, I know I answer the question, and I have a lot of things to show for my efforts. But in the moments I’m describing here, I got to observe myself while in the process of doing it, and I wanted to share some things that came clear to me. I believe anyone can do this, with whatever materials they have on hand, whether they or their loved ones were/are artistically inclined or not. And by the way, I truly believe all humans are creative beings. Creativity is not just for some people. It is an energy and a gift available to all of us because it resides in us.

Why am I sharing a personal moment like this in such a public way? Because I think about grief and love all the time, and help people process their own when I can. And I can tell you with absolute confidence, creating while in the mindset of connecting with a loved one* or processing grief does something. Many things. Here’s some details:

~ It creates a space in which you can think about and talk to your loved one.
~ It can be playful, which benefits our mental and physical health tremendously. You can read about that here.
~ It fosters the bond between you and the one you are grieving – read about continuing bonds as described by Dennis Klass here.
~ It’s a worthwhile effort, even when the relationship was painful or your grief is complex.
~ You make something meaningful to you. There’s no getting it right or wrong.
~ New thoughts, emotions, and understandings have a way of coming forth when you allow the time and space for them to emerge. When this happens in a creative zone that utilizes some form of action (art making, cooking, gardening, singing/playing music, writing), these shifts are metabolized through the body. All the thoughts and emotions are no longer only housed in the mind, but flow through the body, which can lead to greater peace.
~ You might be able to repurpose things that would otherwise be stuck in a drawer or thrown away.
~ You hang out with yourself, which is something I highly recommend. You are worth your own attention.

unfinished co-created piece by my mom and me

This new co-created piece between me and my mom is not finished yet. It’s hanging in my studio in a spot that is important to me and commands my attention. I find myself looking at it and feeling all of the textures and imagining what it will be when it is finished. There’s no rush to get it done and I suppose this is a chance for me to just be in my thoughts with and about my mom. It’s an ongoing invitation…

Until next time… ~ bradie

* I often use the term “loved one” to refer to the person we are grieving. This is not to imply that all has to wonderful and conflict-free in terms of the relationship one had with the deceased person. I should figure out a new way to refer to the person who has died that allows for imagining processing all loss creatively, not just the loss of someone we had a generally good relationship with. It is possible to do this, and is very valuable. Even if grief is complicated, there are ways to work it out through creative expression.


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Summoning Creativity #1

One of the things I love about teaching is that it keeps my mind fully engaged with what I’m talking about and trying to share with other people. Something that comes up often in classes is how connected or disconnected people feel from their own creativity. On occasion, people have asked if I could offer prompts to help keep momentum going and I do it for a while, but then forget over time (same thing with working out! there must be something to unpack there). This is my attempt to not let such a request fall by the wayside.

Here’s how it will work (this is my fantasy as of now- keep me honest if slack!):

  • On the first of each month, I’ll offer some thought, idea, inspiration that is centered on summoning energy from the bottomless creative well we all have within us. I’m thinking monthly because honestly, we need time to let ideas steep and take hold, let alone play with the ideas in an effort of making/creating.
  • Some months will have insights from others who tend to their creative landscape, some will be my own thoughts, some will address those pesky things that can get in the way of efforts such as these.
  • These will never be over-complicated or expensive suggestions.
  • I’ll continue this for as long as there is something useful to say.
  • Welcomed: if you have things you do that keep your creative life energized and flowing, and you’d like to participate in the conversation, please write, comment, share! I love co-creating efforts to lift the veil off our own artistry.
  • Suggestion & Request: if you are into this idea and want to make sure not to miss one, follow this here blog! My goal is to get out a new summoning each month. And, share this with others who you think might be interested! (at the bottom of each page on this site there is a place to subscribe).

Summoning Creativity #1

These are two suggestions I’ve used in my classes and I wanted to share them here. Hope you enjoy them!

1. Make a List– make a list of 25 things that you love. Leave the list in a place where you will continue to see it and let it work on you. Are there things on your list that nudge you a little? Or pull you a little bit? Just notice what happens as you spend time with your list, imagining these loved things. Don’t overcomplicate this. It could be a color. A smell. A temperature or moisture level of the air… just tune in. Then, move towards…

2. Nurture Your Inner Judge~ aka the fear-monger– most of us have a “voice” that pops up and tells us things when we are in new territory, especially when we feel vulnerable, exposed, frustrated… I read something a while ago that really resonated with me, and it was this: our inner critic is trying to protect us from harm. When it senses we are stepping out of our comfort zone, it tries to reel us back in because it doesn’t want us to experience something that is painful, scary, or embarrassing. Chances are, this fear-monger showed up for us when we were little, and it had an important job to do. The thing about this judgy fear-monger is, it doesn’t know when to stop. And I wonder if it doesn’t know what to do with itself when it sees us taking steps into new terrain. It reminds me of how I’ve felt when my kids tried new things like skateboarding, snowboarding, etc. Inside I wished they’d just stay safe and not put themselves in harm’s way. Every part of me wanted to keep yelling, “Be careful! Slow down! STOP!!!” So I had to work on dealing with my own fear while helping them know how to responsibly do the things they want to do. This is how I think about my own inner judge. 

Now, when I hear my inner judge piping-up, I address it directly. I let it know, “we are safe and I’m just playing. Nothing bad will happen, even if what I’m making doesn’t turn out how I want it to.” I let it know that it can join me in the play and sometimes, if I remember, I thank it for trying to protect me, but that it doesn’t need to at the moment. It also doesn’t need to be banished. It can be reshaped into something more gentle. That’s when I find myself thinking about vulnerability and creativity, and where they intersect. 

For this prompt, I just ask for you to notice your fear-monger. What does it say? How have you dealt with it so far? Can you invite it to relax and look around, and see that it’s safe to explore and play?

Until next time… bradie