Healing Handcrafting


Leave a comment

Co-creating after death

My mom was a very talented artist. She had an eye for alluring shapes, luscious textures, intricate details that could easily be missed if one didn’t stop to look closely at whatever-it-was. In Florida, we lived on a bayou and the whole back of the tiny house on stilts opened to a view of it, tree and mangrove lined. The bird life there was epic. Alligators glided through the water, occasionally lumbering up the bank into our yard. Oh, do I have some stories about them.

Much of what my mom made included materials found in our yard or on the island. She had this uncanny ability to use the natural contours of something to house or nestle around little sculptures she’d make, usually faces. Once, when I went home for a visit after I’d moved to Vermont, one of the walls in the open space in the middle of our house was adorned with her pieces of art. I was breath-taken. They were exquisite. I went directly into agent-mode, wanting her to get her work into local galleries. I wanted everyone to see what I saw.

After my mom died, eight years ago now, many of the materials she used in her art ended up with me. One piece in particular has hung on the wall in my studio for a long time. It is a material that comes from palm trees and is like netting or burlap. It’s the most amazing material, woven by nature, strong, pliable, beautiful. I’ve wanted to make something with it for years but nothing was coming to me so I let it simply be itself.

Last week, I was in the midst of repurposing a piece I’d made about a year ago for an art exhibit. It was fabric of very fine grey linen, knitted loosely. I wanted it to be something else and was letting myself play. After treating it with a stiffening agent so it didn’t unravel in my hands, I moved it around and “asked” what it wanted to be and netting came to mind. As I sat at my table strewn with materials, I thought about my mom. Then, I invited her to play. What does that mean? I welcomed her to participate in what I was doing. I talked to her in my mind and imagined how she might have approached what I was doing. Then, I remembered the palm netting. It was at that moment when I felt, “oh cool, we’re making something together”. And then I got to it.

When people ask me how I use fiber art or handcrafting to process grief or life events, I know I answer the question, and I have a lot of things to show for my efforts. But in the moments I’m describing here, I got to observe myself while in the process of doing it, and I wanted to share some things that came clear to me. I believe anyone can do this, with whatever materials they have on hand, whether they or their loved ones were/are artistically inclined or not. And by the way, I truly believe all humans are creative beings. Creativity is not just for some people. It is an energy and a gift available to all of us because it resides in us.

Why am I sharing a personal moment like this in such a public way? Because I think about grief and love all the time, and help people process their own when I can. And I can tell you with absolute confidence, creating while in the mindset of connecting with a loved one* or processing grief does something. Many things. Here’s some details:

~ It creates a space in which you can think about and talk to your loved one.
~ It can be playful, which benefits our mental and physical health tremendously. You can read about that here.
~ It fosters the bond between you and the one you are grieving – read about continuing bonds as described by Dennis Klass here.
~ It’s a worthwhile effort, even when the relationship was painful or your grief is complex.
~ You make something meaningful to you. There’s no getting it right or wrong.
~ New thoughts, emotions, and understandings have a way of coming forth when you allow the time and space for them to emerge. When this happens in a creative zone that utilizes some form of action (art making, cooking, gardening, singing/playing music, writing), these shifts are metabolized through the body. All the thoughts and emotions are no longer only housed in the mind, but flow through the body, which can lead to greater peace.
~ You might be able to repurpose things that would otherwise be stuck in a drawer or thrown away.
~ You hang out with yourself, which is something I highly recommend. You are worth your own attention.

unfinished co-created piece by my mom and me

This new co-created piece between me and my mom is not finished yet. It’s hanging in my studio in a spot that is important to me and commands my attention. I find myself looking at it and feeling all of the textures and imagining what it will be when it is finished. There’s no rush to get it done and I suppose this is a chance for me to just be in my thoughts with and about my mom. It’s an ongoing invitation…

Until next time… ~ bradie

* I often use the term “loved one” to refer to the person we are grieving. This is not to imply that all has to wonderful and conflict-free in terms of the relationship one had with the deceased person. I should figure out a new way to refer to the person who has died that allows for imagining processing all loss creatively, not just the loss of someone we had a generally good relationship with. It is possible to do this, and is very valuable. Even if grief is complicated, there are ways to work it out through creative expression.


Leave a comment

Playing with Woven Material and Flowers

I’ve been busy in my studio seeing through ideas that are a continuation of themes I’ve been hanging with for a while now. I just can’t seem to get enough of loosely woven wooly fabric. I love weaving it. I love playing with it. I love how it is the perfect backdrop for a stem, a stick, a branch…

There is an Open Studio event where my space is tomorrow and I am looking forward to it. There have been a lot of projects in the flow, some of which are completed, one big one that is almost done that I’ll write about separately, and two that have finally gotten dislodged from my mind and set to looms. What a relief!

I think that’s one of the best parts of making… having an idea and finally getting it into action. Why does it take so long sometimes?


Leave a comment

Sweeping Away and The Wild Bits

little bits of everything
here and there
this and that
brooms sweeping away what is not ours
inviting a hold on what is
thresholds beckoning
then not letting go
interlacements revealing
the over-under dance



Leave a comment

Playing with my Ancestors

In my space
circling around materials and ideas
I found my great-grandparents
Not all but some,
And then it started.
Do you like this color?
Did you have this flower in your garden
That was in the back of your little house
Where you made my brother and me
The most delicious hamburgers
In a frying pan, with butter and salt?
I remember you and your dear love.
Mom told me you held hands when you slept at night.
And you, great-grandmother I never met,
Whose teacups I have but am not graceful enough to use.
Maybe you know I’d slug the coffee that could fit in that dainty piece of porcelain in one gulp,
Apologies.
I feel loved by you and can feel you through the veil.
I’m glad we got to play.


Leave a comment

Monday’s Musings: Neck Pain & Looms

I haven’t been able to weave lately because of a back/neck injury I sustained one month ago tomorrow. As I’ve worked to get back in touch with my body and what it’s communicating to me (if only I’d listen!), I’ve been thinking a lot my looms and which one will be my entryway back into weaving.

I think for the sake of my back, I’ll start weaving again on this wonderful one from Lost Pond Looms. I am planning on using this loom in both my Introduction to Tapestry Weaving Classes and Wild Weaving classes, as we phase out the ones we have been using. I like this loom because it is super strong and allows for different warp spacing. I also love that we are buying it directly from the person who makes them, and he’s from the next state over in NY.

So, taking it slow, and learning ever more to listen to the language of my body and woven form itself. And in the meantime, I’m circling my weaving tools, thinking about what they will hold soon, and looking forward to picking up my yarn again.

Here’s another Lost Pond Loom as well as a shed stick from Threads Thru Time and an itty bitty loom from Stephen Willette.


Leave a comment

Monday’s Musings~ Creativity and Defining Self

I spend a lot of time thinking about how we become more of ourselves in the way that Murray Bowen defined as differentiation. Simply put, differentiation is about how well we can hold on to our own thinking, even in the face of group pressure, others’ reactivity, and our own anxiety that arises in relation to these things. The better we are at regulating ourselves, the more flexible we are, and capable of maintaining equilibrium in a variety of circumstances. Conversely, the more anxious we are or become as a result of some emotional group process unfolding, the more we make decisions from a highly emotional place. Or, we find ourselves fully swimming in the waters of emotional process, and our decisions cannot be distinguished from those of the group.

Efforts to define self at any given time are the building blocks that help us develop a more differentiated stance in the world (and therefore less fused with the intensity of whatever system we are within). Checking in on, and keeping track of, what we think on any given topic is one way of doing this. For example, as I raise my kids, who are both teenagers now, I can defer to others and find out what they say is the right way to raise a kid and follow their prescription for how to do it, or I can think something like, “what is important to me as I parent my children through their teens, and how do I view my role in their journey towards adulthood?” And I think on it. And I answer the questions. Some of my answers might be informed by information I garner from people whose opinions I value. But first, they are run through the filter of my intellect. What do I think about what they think?

I’d love to say that I am able to do this all the time, but news flash: I’m a reactive person who’s been working on myself for years, and my success rate of defining my own thinking to myself before reacting to something is… well… it depends on the circumstances!

Anyway, this is where the bridge to my thinking on creativity appears on the map of my journey in this life. I think that by tending to our own creativity, we are greasing the gears of differentiation.

Here’s why:

Creativity involves having the spark of an idea. Anything new, innovative, functional, delicious, beautifully made or arranged, etc., happened because someone, somewhere, had an idea. And it didn’t end there. The idea became an action. “What if I do this?” became… “Check this out!” Suddenly, we had sculpted pots to hold things, woven or sewn materials to warm, adorn, protect, sail, contain, and tools to carve, cut, and shape… that spark of an idea is the seed of all that we have, for better or worse.

I see micro-expressions of this very thing in my own creative practice and in the conversations I have with other makers. As a weaver, I must make so many little choices, so many nuanced moves, adjustments, decisions. Each one is an articulation of an idea, an opinion, a preference. And while I learn from incredible teachers, like Rebecca Mezoff and Elizabeth Buckley, I also have to assimilate their teachings into my own mind and decision-making process. I think that when we have these opportunities in our lives to articulate choice and preference, we have ever more chance to articulate ourselves back to ourselves and to others! It’s amazing.

Why is this important? Because we all need to be doing our best thinking. Really, we should be trying to do this all the time, but especially if we are living in places that are in turmoil. The likelihood of losing track of our own critical thinking and judgment in the face of high intensity societal emotional process is increased. The more we are aware of this, the more we can keep our hands on the steering wheel of our own decisions, lives, and futures.

The more we know our own minds and tend to the sparks of our ideas, the more engaged we will be as a whole self.

And, the more of a whole self we are, the more choice we will have.

Bowen Theory Information:

https://www.thebowencenter.org/societal-emotional-process

https://www.vermontcenterforfamilystudies.org


Leave a comment

Hey. How Are You?

No really. How are you?

A friend of mine mentioned the other day that I hadn’t written here in a bit. She’s known me long enough to recognize a pattern of mine which is that I do a pretty full retreat from online things when there’s something I’m sorting out. I got to talk about the things that I’ve been chewing on, and she listened. She also said she missed seeing what I’m up to when it comes to making things. This was a beautiful nudge. Very well-rounded.

Grief, as you likely already know, takes its toll on people. As someone who’s written a lot about grief, a whole book in fact, you’d think maybe I’d know some tricks on how to navigate the experience with greater ease. But I’m here to tell you, there are no easy ways through the process. In all my writing, talking, supporting, and expressing, never once do I suggest there is a “get-through-grief-the-easy-way” option. It is simply something we must go through, feel, adapt to, and be chiseled by. Ultimately, we are charged with getting to know ourselves and others in our new form, as someone changed by what we’ve experienced.

I’ve noticed about myself that when I’m swimming in the grief waters, I need to take some steps back from those things that put me out there into the world. Certain aspects of grief make me feel like I’m a flipped over turtle, and the last thing I need in those circumstances is to feel more vulnerable during those times.

As we approach the year anniversary of when my dad died, we are also making our way through cold winter here in Vermont. In a few days, it will be February 1, Imbolc, which marks the halfway point between the Winter Solstice and the Spring Equinox. This is when, in the Northern Hemisphere, the light starts to shift and come back. Many are thinking about the seeds they’re going to start indoors in preparation for the spring plantings. The goddess Brigid is honored in her many forms. We are invited to clean our houses, set our intentions, and think about what we want to bring into fruition in the coming growing cycles.

sun snow…

I will be honoring both of these events. I feel ready for the light to come back after relishing resting in the dark.

Creative life has been full all these months. I’ve been teaching at the Shelburne Craft School, a place that has truly become a home away from home. I also have spent time with folks in my studio, supporting their weaving journey. I’m taking a tapestry weaving class with Elizabeth Buckley, all about weaving water. I am learning so much!

my first attempt to weave reflections in water… not easy, my friends. I have a ways to go, but I’m loving the class.

I have a lot of little projects going on as well, including a new daily weaving practice that has absolutely no plan, so we’ll see how it goes.

Oh, and I made some block prints…

I’m creating things for a new class I’ll be offering called Wild Weaving, where we get to blast out our creativity and impulses into the embrace of a waiting warp.

And, I’m developing an online class as part of our Weaving Your Story programming through the craft school. This is a curriculum I’ve been developing for a couple of years and has become a very important part of my life.

All amazing work to get to be doing!

I still need to finish weaving some towels so I can get started on a new installation idea that won’t let go of my imagination. That is a project I’ll be planting seeds for soon, in hopes that it will be born over the summer months. You heard it here first! It’s got ties to this piece that was in a show in South Burlington last year.

Creative energy builds when we learn how to rest in the ways we need.

That’s it for now. Thank you, dear friend, for asking for an update.


Leave a comment

Open Studio Weekend Oct 5 & 6!

This is my first year joining the Vermont Crafts Council Open Studio Weekend. I’ve always wanted to participate but never could get it all together at the right time. I brought my outdoor loom over today and have been polishing things up as I prepare for this event. My studio is in Loop 3 along with fellow artists in Shelburne, Richmond, Charlotte, and Hinesburg! I wish I could go to all of their studios, too!

To see what this event is all about and get your maps and figure out your routes, go the Vermont Crafts Council website here. More to come about the event in the coming weeks.


Leave a comment

Art Show: Interwoven

I dropped off the pieces I made for the Interwoven fiber art exhibit yesterday. Walking away from things I made was an interesting feeling I’ve not had much experience with. It was both exciting and nerve wracking! I kept turning back, looking at them laying where I left them, as though I needed to say goodbye a couple more times. Or maybe just a little more fiddling, straightening, adjusting… I think it’s because each of the pieces that will be in the show was a meditation on some issue I think about or am currently wrestling with. So really, what I was leaving in someone else’s care was the physical evidence of an emotional process.

I am delighted to be in the show with three other incredible artists. What a boon!

Here is the invitation to the Opening! If you’re in the area and have an interest in fiber art, come on down!


Leave a comment

You Still There? I’m Still Here.

Has it really been since March since I’ve written? I’ve been meaning to, but honestly, it’s really hard to extrovert (which in my mind includes putting parts of myself out into the world) when grieving. I’ve needed a lot of quiet, a lot of time alone, and not at all any “shoulds” where possible; just simply to have time to be in my own headspace, at least more than I typically am able. That all being said, I’ve missed writing here. I’ve come to look at this website/blog as the place that holds evidence of my thinking and ideas.

I’m grateful to you for tuning in.

Some updates: I was asked to participate in a group art show entitled Interwoven at the South Burlington Public Art Gallery , and I wholeheartedly said yes. I’d been working on some projects and it was just the impetus I needed to really focus and bring them into being. Most everything I make has to do with something I’m working out in my psyche and the pieces I made for this are no exception. Three are hand knit and three are handwoven. I’ll love to share them with you. The show’s opening is on September 11. I’ll post more about that soon.

Evidence of Significant Repair

Wearing Away

Winter of Our Discontent

My wooly, woven pieces are actually curtains but could also be wall hangings. I love playing with the idea of warm and bold wool being woven in an airy, light-filled way. I was in my studio yesterday and the window was open, allowing Winter of Our Discontent to flow and move and I smiled, seeing it dance just the way I’d hoped. I’ll write separately about each piece to introduce them simply and properly in the next week or two.

Also happening lately is the spinning of wool while listening to Clarissa Pinkola Estés’ The Power of the Crone. I highly recommend listening to her wonderful stories. Pairing that with spinning is like eating dark chocolate while sipping a hot coffee. Perfection.

I got to dress up for a dear friend’s beautiful event thrown to raise money to develop a space that supports deep creativity and the arts…

And I got glasses- suddenly everything looks crisp and clear again… dang, that was a slow motion slippery slope…

I played with paint and yarn…

And had a lot of my work hung at the Pierson Library in Shelburne…

And did all kinds of fibery things with the Shelburne Craft School, my home away from home…

So, now that we’re all caught up (is that ever really possible?), I’ll love to know what you’ve been working on, thinking about, gearing up to do.

Until next time…

~ bradie