Healing Handcrafting


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Harvesting Fibers from Trees

Love needs new leaves every summer of life, as much as your elm-tree, and new branches to grow broader and wider, and new flowers to cover the ground.

~ Harriet Beecher Stowe

This week, I’m sharing another video I made as part of a fundraising effort for the Chittenden Asylum Seekers Assistance Network back in April.

This one is about my efforts in learning how to extract fibers from trees. In my case, I had an elm tree branch to work with. But before I get to that, I want to share some of what I learned while researching for this project.

Interesting Facts About Tree Fibers and Their Uses

~ Fibers from trees have been utilized for, at the very least, 52-thousand years.

~ Tree fibers have been extracted for their various uses all over the world. Here are some great examples:

  • Baobab tree: this tree can be found throughout sub-Saharan Africa, in Madagascar, Sri Lanka, Australia, and the Caribbean. Bark from this tree has been used to make rope, fishing nets, baskets and mats, and clothing.

Photo by Chen Edison

  • Matuba tree: this tree grows in Uganda and entire sheets of its bark are prepared by artisans and made into clothing.
  • Paper Mulberry tree: native to east and southeast Asia. It is used to make paper and bark cloth.
  • Tānekaha Tree: this tree’s bark is used to make natural dyes in traditional Asian and Pacific textiles.

Fig Tree, Photo by Andreas Ebner

  • Fig trees: In Mexico and Central America, bark from these trees are used to make paper and bark clothing. The Xicaque people of Honduras make barkcloth clothing called Tapa. 
  • Ceiba tree: This tree is sacred to the Maya of Central America for many reasons. Fibers from this tree is known as Kapok and is used for filling and insulation.
  • Sapucaia tree: this is a tree that is used by indigenous communities in South America. Llanchama/Yanchama is an unwoven textile extracted from its inner bark and is used to make clothing and functional household tools. 
  • Linden tree: this is a tree native across most of Europe into Western Asia. The inner bark has historically been used to make strong cordage, nets, and ropes.

Linden Tree, Photo by Heinz Reisenhofer

  • Elm tree: this tree is native to North America and its inner bark is known for making strong cordage.
  • In our region of North America, the Abenaki used the Black Ash, Willow, Elm, Spruce, Cedar and Basswood trees for many purposes including making canoes, containers, cordage and rope.

My Process

We had to take an elm tree down that had gotten sick. I harvested some branches from the tree to see if I might learn how to extract fibers from the wood. The more I learn about plants and trees, the more I am amazed and in awe of their properties.

I was doing this in late spring, and it’s still rather cold here in Vermont in March. If I were to do this again, I’d definitely wait for warmer days after the sap runs for a bit longer. I’d also look for a heavy, round piece of metal and roll the bark rather than pound with a mallet. My arthritic hands were not happy. BUT! It was worth it- the beautiful strands of fibers from the elm branch became part of little baskets, and then a Medusa crown I made for a friend’s experimental dance piece.

Here is a link to the video!

Until next time,

Bradie


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2-Ply Cordage

…Joy & Woe are woven fine
A Clothing for the soul divine
Under every grief & pine
Runs a joy with silken twine…

~from Auguries of Innocence, William Blake

Back on April 1, I referenced some fundraising I was doing for the Chittenden Asylum Seekers Assistance Network. You can see more about the effort here. I thought I’d share with you the videos that came from that over the next few weeks.

This first one, Winter Worn Field Grass Cordage ~ 2-Ply, is a simple little ditty, and is my first video in the series I’ll be sharing. No words. Just quiet learning.

I discovered after making this video that it is good to coat your cordage in beeswax to keep it supple and strong. That bit didn’t make it into the video but do try it! Winter grasses have frozen, thawed, frozen, and thawed again, breaking down the fibers and contributing to brittleness, which comes back once your cordage dries. Coating in beeswax once the cordage is dried will reinstate moisture, making it useful as well as beautiful.

And here’s a fabulous video on making 3-ply cordage from Sally Pointer who shares all kinds of knowledge on her YouTube Channel. She’s awesome. Watching her videos is like going to the best kind of school.

Enjoy! This is a great time to think about gathering plant materials to store and prepare for cordage making where I live (in Vermont). Just be sure to know your plants, don’t take too much or more than you’ll use, and have a blast.

Until next time,
Bradie


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Stories of Spirit and Spirits

One of the projects I had the good fortune to be involved with came to fruition in late spring of 2026. It is called Stories of Spirit and Spirits.

Many months prior, my exceptionally talented, creative, beautiful friend Jessie Owens asked if I would be interested in making costume and set pieces for an experimental movement and sound composition she was developing as part of an ensemble called Soft Rocks.

It was one of those moments when you look behind you and wonder… are you talking to me?

It was also a moment when I felt an immediate, internal yes!!! along with a lot of worry that I might be out of my league.

Fast forward and the making began in earnest~ screens, sculptures, crowns and hats… it was the most fabulous experience, to get to co-create with artists who are working in a medium I don’t practice myself but appreciate so much. I got to play with ideas and stretch my own limits to make something new- to me, to others, and for something so much bigger than me.

I wanted to share with you some images from the making and the performances themselves. There will be another performance date coming up this winter in New Hampshire. I’ll be sure to put up information for that as soon as I get it!

The loosest of threads, hanging together were inspiration.

The sounds of grasses rushing against themselves were inspiration.

Interlacements, nets, screens between here and there… they were all inspiration.

The process of making for SofS&S took me through weaving, sewing, sprang, sculpture, and harvesting fibers from trees. Ingredients were, to name a few… flowers, raffia, silk, cotton, wood, a wasp’s nest, pods, sticks, plants, jute, wool…

My heart, mind, and body opened up to something new and deep. Inspiration grew out of the work…

At some point I’ll get better at writing as things are happening, rather than after the fact. Truth be told, there just wasn’t time. In posts coming up, I’ll talk about all the other things that were happening in spring, surrounding the time that my eldest child was getting ready for and completing his high school graduation. It was almost like too much life was happening to write about it at the same time.

If you are interested in art that pushes the boundaries of thought and affect well into the experience of deep feeling and immersion, keep your eyes on what Soft Rocks and its individual members are doing.

Until next time,

~ bradie

song on repeat: Keep the Streets Empty for Me, by Fever Ray