Each pane in this piece is a window into a space containing an idea, a feeling, a symbol, a material. Everything is biologic. In some cases, the material is of plants, in others of animals. In one case, the material is a secretion of the silk worm. Everything will one day biodegrade. Fleeting and beautiful. Strong to a point.
I’m waiting for the right materials to emerge for the last three panes, which will serve as the end of the story…
Until then, a preview…
What do you see? Maybe not the same as me, and that’s okay. It’s how it should be.
Hope you are doing alright, wherever you are. ~ bradie
My mom was a very talented artist. She had an eye for alluring shapes, luscious textures, intricate details that could easily be missed if one didn’t stop to look closely at whatever-it-was. In Florida, we lived on a bayou and the whole back of the tiny house on stilts opened to a view of it, tree and mangrove lined. The bird life there was epic. Alligators glided through the water, occasionally lumbering up the bank into our yard. Oh, do I have some stories about them.
Much of what my mom made included materials found in our yard or on the island. She had this uncanny ability to use the natural contours of something to house or nestle around little sculptures she’d make, usually faces. Once, when I went home for a visit after I’d moved to Vermont, one of the walls in the open space in the middle of our house was adorned with her pieces of art. I was breath-taken. They were exquisite. I went directly into agent-mode, wanting her to get her work into local galleries. I wanted everyone to see what I saw.
After my mom died, eight years ago now, many of the materials she used in her art ended up with me. One piece in particular has hung on the wall in my studio for a long time. It is a material that comes from palm trees and is like netting or burlap. It’s the most amazing material, woven by nature, strong, pliable, beautiful. I’ve wanted to make something with it for years but nothing was coming to me so I let it simply be itself.
Last week, I was in the midst of repurposing a piece I’d made about a year ago for an art exhibit. It was fabric of very fine grey linen, knitted loosely. I wanted it to be something else and was letting myself play. After treating it with a stiffening agent so it didn’t unravel in my hands, I moved it around and “asked” what it wanted to be and netting came to mind. As I sat at my table strewn with materials, I thought about my mom. Then, I invited her to play. What does that mean? I welcomed her to participate in what I was doing. I talked to her in my mind and imagined how she might have approached what I was doing. Then, I remembered the palm netting. It was at that moment when I felt, “oh cool, we’re making something together”. And then I got to it.
When people ask me how I use fiber art or handcrafting to process grief or life events, I know I answer the question, and I have a lot of things to show for my efforts. But in the moments I’m describing here, I got to observe myself while in the process of doing it, and I wanted to share some things that came clear to me. I believe anyone can do this, with whatever materials they have on hand, whether they or their loved ones were/are artistically inclined or not. And by the way, I truly believe all humans are creative beings. Creativity is not just for some people. It is an energy and a gift available to all of us because it resides in us.
Why am I sharing a personal moment like this in such a public way? Because I think about grief and love all the time, and help people process their own when I can. And I can tell you with absolute confidence, creating while in the mindset of connecting with a loved one* or processing grief does something. Many things. Here’s some details:
~ It creates a space in which you can think about and talk to your loved one. ~ It can be playful, which benefits our mental and physical health tremendously. You can read about that here. ~ It fosters the bond between you and the one you are grieving – read about continuing bonds as described by Dennis Klass here. ~ It’s a worthwhile effort, even when the relationship was painful or your grief is complex. ~ You make something meaningful to you. There’s no getting it right or wrong. ~ New thoughts, emotions, and understandings have a way of coming forth when you allow the time and space for them to emerge. When this happens in a creative zone that utilizes some form of action (art making, cooking, gardening, singing/playing music, writing), these shifts are metabolized through the body. All the thoughts and emotions are no longer only housed in the mind, but flow through the body, which can lead to greater peace. ~ You might be able to repurpose things that would otherwise be stuck in a drawer or thrown away. ~ You hang out with yourself, which is something I highly recommend. You are worth your own attention.
unfinished co-created piece by my mom and me
This new co-created piece between me and my mom is not finished yet. It’s hanging in my studio in a spot that is important to me and commands my attention. I find myself looking at it and feeling all of the textures and imagining what it will be when it is finished. There’s no rush to get it done and I suppose this is a chance for me to just be in my thoughts with and about my mom. It’s an ongoing invitation…
Until next time… ~ bradie
* I often use the term “loved one” to refer to the person we are grieving. This is not to imply that all has to wonderful and conflict-free in terms of the relationship one had with the deceased person. I should figure out a new way to refer to the person who has died that allows for imagining processing all loss creatively, not just the loss of someone we had a generally good relationship with. It is possible to do this, and is very valuable. Even if grief is complicated, there are ways to work it out through creative expression.
I’ve been busy in my studio seeing through ideas that are a continuation of themes I’ve been hanging with for a while now. I just can’t seem to get enough of loosely woven wooly fabric. I love weaving it. I love playing with it. I love how it is the perfect backdrop for a stem, a stick, a branch…
There is an Open Studio event where my space is tomorrow and I am looking forward to it. There have been a lot of projects in the flow, some of which are completed, one big one that is almost done that I’ll write about separately, and two that have finally gotten dislodged from my mind and set to looms. What a relief!
I think that’s one of the best parts of making… having an idea and finally getting it into action. Why does it take so long sometimes?
little bits of everything here and there this and that brooms sweeping away what is not ours inviting a hold on what is thresholds beckoning then not letting go interlacements revealing the over-under dance
Because I’m getting ready to teach my first online class that involves a lot of videos. And, as I’ve been editing them, I’ve realized, wow, I really do say “ummmm” a whole lot. It’s such a good place holder for my mouth when I need to catch up with my thoughts, but not ideal to listen to! I’m very grateful for iMovie editing features!
I’m also extremely grateful for…
~ The chance to bring Weaving Your Story to more people~ this is a class I built, drawing together my passions from years of work and study, both as a therapist and as a weaver. I feel so strongly about what weaving offers to people, aesthetically, emotionally, in community.
~ The Shelburne Craft School, and especially its director, Heather Moore, who right out of the gate expressed interest in the way I use weaving in my work with people, and wondered if we might build a class around it. And that’s just what we did! Through that process, I’ve learned about writing grants and partnering with other organizations, while expanding my own skill set as I’ve offered this work to a larger group. I’ve also gotten to teach a dear friend and colleague, Ali Waltien, how to offer Weaving Your Story in her work. How amazing!
~ An anonymous donor who has made the class available to even more people.
~ Weaving Your Story participants who take the leap into weaving… well… their stories! This takes courage, patience, trust, and flexibility, and with every single group, I learn and grow.
~ My daughter who has been helping me learn how to make and edit videos, export, upload and put into the airwaves the online version of the class.
That all reads like an acceptance speech! Seriously though, I’d be remiss to talk about the Weaving Your Story classes without expressing all the gratitude I feel for those who have given so much to me, so there we are.
Now, back to editing my videos! If I can reduce my “ummmmms” by 75% or more, I think it’ll be okay.
Weave me a rope that will pull me through these impossible times.
For one of the classes I teach, I gather quotes that capture the symbolism of weaving and how it describes so much of our experience of life. I’d love to start sharing what I find here.
We all belong to the same beautiful tapestry of existence, and our lives are all woven together to create the magical experience of life. None of us are alone, or solitary, or unimportant- we’re all part of something that is vastly bigger than ourselves but, at the same time, comprises each of our individual energies. We are forever interconnected, and these connections are more awe inspiring and more powerful than we can even fathom.
This is my first year joining the Vermont Crafts Council Open Studio Weekend. I’ve always wanted to participate but never could get it all together at the right time. I brought my outdoor loom over today and have been polishing things up as I prepare for this event. My studio is in Loop 3 along with fellow artists in Shelburne, Richmond, Charlotte, and Hinesburg! I wish I could go to all of their studios, too!
To see what this event is all about and get your maps and figure out your routes, go the Vermont Crafts Council website here. More to come about the event in the coming weeks.
I dropped off the pieces I made for the Interwoven fiber art exhibit yesterday. Walking away from things I made was an interesting feeling I’ve not had much experience with. It was both exciting and nerve wracking! I kept turning back, looking at them laying where I left them, as though I needed to say goodbye a couple more times. Or maybe just a little more fiddling, straightening, adjusting… I think it’s because each of the pieces that will be in the show was a meditation on some issue I think about or am currently wrestling with. So really, what I was leaving in someone else’s care was the physical evidence of an emotional process.
I am delighted to be in the show with three other incredible artists. What a boon!
Here is the invitation to the Opening! If you’re in the area and have an interest in fiber art, come on down!
Has it really been since March since I’ve written? I’ve been meaning to, but honestly, it’s really hard to extrovert (which in my mind includes putting parts of myself out into the world) when grieving. I’ve needed a lot of quiet, a lot of time alone, and not at all any “shoulds” where possible; just simply to have time to be in my own headspace, at least more than I typically am able. That all being said, I’ve missed writing here. I’ve come to look at this website/blog as the place that holds evidence of my thinking and ideas.
I’m grateful to you for tuning in.
Some updates: I was asked to participate in a group art show entitled Interwoven at the South Burlington Public Art Gallery , and I wholeheartedly said yes. I’d been working on some projects and it was just the impetus I needed to really focus and bring them into being. Most everything I make has to do with something I’m working out in my psyche and the pieces I made for this are no exception. Three are hand knit and three are handwoven. I’ll love to share them with you. The show’s opening is on September 11. I’ll post more about that soon.
Evidence of Significant Repair
Wearing Away
Hema ThrínoRhythms
Winter of Our Discontent
Soil
My wooly, woven pieces are actually curtains but could also be wall hangings. I love playing with the idea of warm and bold wool being woven in an airy, light-filled way. I was in my studio yesterday and the window was open, allowing Winter of Our Discontent to flow and move and I smiled, seeing it dance just the way I’d hoped. I’ll write separately about each piece to introduce them simply and properly in the next week or two.
Also happening lately is the spinning of wool while listening to Clarissa Pinkola Estés’The Power of the Crone. I highly recommend listening to her wonderful stories. Pairing that with spinning is like eating dark chocolate while sipping a hot coffee. Perfection.
I got to dress up for a dear friend’s beautiful event thrown to raise money to develop a space that supports deep creativity and the arts…
And I got glasses- suddenly everything looks crisp and clear again… dang, that was a slow motion slippery slope…
I played with paint and yarn…
And had a lot of my work hung at the Pierson Library in Shelburne…
And did all kinds of fibery things with the Shelburne Craft School, my home away from home…
So, now that we’re all caught up (is that ever really possible?), I’ll love to know what you’ve been working on, thinking about, gearing up to do.